Paul Jex

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  • Home
  • Art Work
    • Something Else > Exhibition >
      • After IMI Knoebel, Mennige (Pentagon), 1992
      • Art Photograph Series - Taratantara
      • IOMA | 1997 I SYLVIE FLEURY and CHARLES RAY I 009
      • IOMA | Romantic Vividness I HELIO OITICICA and ROBERT MANGOLD I 008
      • T01513: Yves Klein IKB 79 or Tate Modern keeps on getting it wrong
      • T00514: They were all like this
      • Life is Beautiful
      • Artist Obituaries l Signatures: Sol LeWitt, 2007
    • T01513: Yves Klein IKB 79 or Tate Modern keeps on getting it wrong
    • She
    • Lonesome Town
    • Art Photograph Series | #294
    • The Guardian Just Loves Mr Hodgkin
    • The Gaul. 1974
    • Oh I Do Like
    • D. R. Addison
    • Institute of Monochrome Art >
      • Institute of Monochrome Art, Volume 1
      • In the Company of Others
      • Shelf Life
    • Jasper Johns Gray
    • Never Satisfed
  • Other Work
    • Artist Obituaries
    • The Guardian Series >
      • The Guardian: Collection
      • The Guardian Just Loves Mr Hodgkin
      • Dolce and Gabbana: Come and Get Some
      • The Guardian: Erased Artist Obituaries
      • Artist Obituaries
      • Artist Obituaries: Red
    • Art Photograph Series >
      • Art Photographs & Photocopies
      • Art Photograph Series: People & Art
    • 2002 & 2013, Felix Gonzalez-Torres (E.C. Davies)
    • Phaidon: 20TH Century Art Book Series
    • Eliasson's Waterfall (Craig)
    • Aesthetic Monstrosities, Ornamental Abominations
  • About
  • Contact
Institute of Monochrome Art, Volume 1

Vane, Newcastle upon Tyne
2015


www.instituteofmonochromeart.com
026, 002

Left      026 | Louise Nevelson and Roni Horn
Right    002 | Dan Flavin and David Batchelor

016


016 | Derek Jarman and Absalon
Tiled A3 Digital Prints
Photo: Paul Jex
Institute of Monochrome Art (IOMA) is the pairing of two artists who have worked, or continue to work in a single colour.  IOMA explores, documents and questions the monochrome and the artists' interest in it, highlighting both the similarities and differences. Facilitating 'phantom' or imagined exhibition opportunities for these artists can be seen at the project website.

For Vane, Jex enlarged the paired posters to the scale reminiscent of Colour Field Paintings with complimentary colours, the paired artists themes included recognition of two abstract female artists whose work reflected the enviroment of where they lived / worked.  The familarity of two similar looking works which their presence of a pink hue and two artists that died from HIV/AIDS related illness. 

www.instituteofmonochromeart.com

© 2020
All images are the copyright of Paul Jex unless other wise stated