Paul Jex

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      • After IMI Knoebel, Mennige (Pentagon), 1992
      • Art Photograph Series - Taratantara
      • IOMA | 1997 I SYLVIE FLEURY and CHARLES RAY I 009
      • IOMA | Romantic Vividness I HELIO OITICICA and ROBERT MANGOLD I 008
      • T01513: Yves Klein IKB 79 or Tate Modern keeps on getting it wrong
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      • Artist Obituaries l Signatures: Sol LeWitt, 2007
    • T01513: Yves Klein IKB 79 or Tate Modern keeps on getting it wrong
    • She
    • Lonesome Town
    • Art Photograph Series | #294
    • The Guardian Just Loves Mr Hodgkin
    • The Gaul. 1974
    • Oh I Do Like
    • D. R. Addison
    • Institute of Monochrome Art >
      • Institute of Monochrome Art, Volume 1
      • In the Company of Others
      • Shelf Life
    • Jasper Johns Gray
    • Never Satisfed
  • Other Work
    • Artist Obituaries
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      • The Guardian: Collection
      • The Guardian Just Loves Mr Hodgkin
      • Dolce and Gabbana: Come and Get Some
      • The Guardian: Erased Artist Obituaries
      • Artist Obituaries
      • Artist Obituaries: Red
    • Art Photograph Series >
      • Art Photographs & Photocopies
      • Art Photograph Series: People & Art
    • 2002 & 2013, Felix Gonzalez-Torres (E.C. Davies)
    • Phaidon: 20TH Century Art Book Series
    • Eliasson's Waterfall (Craig)
    • Aesthetic Monstrosities, Ornamental Abominations
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Art Photograph Series | #294

Middlesbrough Art Weekender


Middlesbrough Institute of Modern Art, Middlesbrough
2018

Picture

Art Photograph Series
1998 - On-going (2018)
Catalogues and Photograph

Using art as an opportunity to explore the North East, Paul Jex would visit galleries and museums to understand an individuals place in the world, The Art Photograph Series, begun in 1998 involved using a cheap 35mm camera to capture art works from regional collections, which then expanded to National, European and American collections.  When Paul stopped taking photographs, due to digital cameras and the then phasing out of 35mm films, Jex had amassed a total of 954 photographs. 
 
Within this collection are 43 photographs taken in 2000 from the old Middlesbrough Art Gallery on Linthorpe Road including Eduardo Paolozzi’s Who’s afraid of Sugar Pink and Lime Green? 1971.
 
Jex would take one photograph per art work; not knowing what the image would turn out like until it was developed was part of the excitement of 35mm cameras yet also kept costs low.  The resulting photograph was terrible; its dark and blurry with a terrible flash disrupting the image.  Yet it’s not necessarily the photograph that is important – it’s the artist, the art work, the personal journeys undertaken, the change in technology and the recording of regional and international collections which by putting them into Jex's own collection meant that an art work from a regional collection has as much validity to that of a major international art collection.
 
Each photograph has its own code that is logged and catalogued on a spreadsheet. For Middlesbrough Art Weekender, Jex had transferred this data into a document with each page referring to an art work in the photograph.  This document was presented in two binders along with the photograph Paolozzi’s print.  These cataolgues as an object allowed the audience to pick up and browse through as  Jex strongly believes in the conversations of art are as important as art.

For further details on this project, please refer to the Art Photograph Series page located HERE.

Middlesbrough Art Weekender

Picture
Art Photograph Series
1998 - On-going (2018)
Catalogues

Picture
Art Photograph Series
1998 - On-going (2018)
Photograph - Number 294 | Eduardo Luigi Paolozzi | Who's afraid of Sugar Pink and Lime Green? | 1971

© 2020
All images are the copyright of Paul Jex unless other wise stated